小说家族中的微型小说能够持久漫长地深受读者喜爱，并遂之而为繁旺盛华的一道亮丽景观，原因绝不仅止于绵延慢板的中长篇小说的喧叙咏叹程式与快行节奏的时间迈进极难融合，亦因为源于文学本体的自我动摇与彷徨以及客观上的疏离与边缘化，无法为饥馑视觉的重新饱合续足缺位，其时，贴近腾空余地的来者必定是一匹精悍干练的素骥黑马——异军突起的文学新军——声势浩大的微型小说。（Mini-novels in the novel family have been long popular with readers and have become a flourishing, bright landscape. This is not just because lengthy novellas and novels are very hard to integrate the narration and chanting form with the time move of quick rhythm, but also because the self-shake and hesitation originating from literature main body, and objective alienation and marginalization fail to fill the gap of visual saturation. In this situation, those works close to this gap are certainly impressive mini-novels that are a new, vigorous literature force.）