《仓央嘉措心史》指出男人的忧伤一向是被掩饰与遮蔽的，身为六世达赖喇嘛的仓央嘉措更是如此，可他不会撒谎的诗歌，把内心的隐私全暴露了。随着一遍遍传唱，就像伤口被一次次撕开。哪里只是忧伤哟，比忧伤更忧伤，分明是疼痛啊。他就像一尊活着的古希腊"拉奥孔"雕塑，只不过把克制不住的呻吟升华为歌唱。(Heart History of Tsangyang Gyatso points that man's sorrow has always been covered and shielded, not to say Tsangyang Gyatso, as the VI DaLai Lama. While his poetry is not telling a lie, exposes his inner primacy completely. With the poetry is sung as a song, Tsangyang Gyatso's wound was tore away again and again. It is clearly pain other than to say it is sorrow. He is like a living ancient Greek sculpture of Laocoon, and can't help singing his groan as a song.)